![]() |
![]() | ||||||||||||||||||||||||||||||||
|
Contact
Books
|
Manuscript Review &
|
||||||||||||||||||||||||||||||||
| Pages | Page Rate | Minimum Charge |
| 1-25 | $6.50 | $95 |
| 26-50 | $4.75 | $150 |
| 51-100 | $4.00 | $225 |
| 100 + | $2.80 | $300 |
About the minimum: This is only for shorter pieces that would otherwise cost less than the minimum for their page range.
The Starving Artist Rate: I like to be able to work with writers who are full-time artists as well as those who are writing in addition to a lucrative career. Feel free to take up to 18% off of any of the rates listed on this page. No need to discuss reasons?just tell me you?d like to take x% off the rate for a particular service. The discount applies to minimums and brief reports as well.
All rates are based on standard doubled-spaced pages of copy in 12 point type. If yours is not printed out that way, there's no need to reprint. Instead, we can simply adjust the price, up or down as appropriate.
My page rates for critiques are a bit lower than many of the writer consultants who've written or worked for major publishers or national publications. In order to make this possible, I charge for the little bits of time, like phone calls. That way you have the option of getting a bare-bones service or as much time from me as you wish.
I'll read your manuscript and send you a written report on my view of what's working well and what could be improved in your story. This will include language patterns, story structure, characterization, pacing. I'll be glad to keep in mind a particular question you might have about some aspect of the manuscript. The report will be brief: typically a couple of paragraphs on a story or chapter, a page for a book-length manuscript.
For this report, I do no marking on the manuscript, and phone or email follow-up is at additional charge.
| Pages | Page Rate | Minimum Charge |
| 1-25 | $4.50 | $60 |
| 26-50 | $3.25 | $100 |
| 51-100 | $2.25 | $150 |
| 100 + | $1.75 | $200 |
I will answer, as best I can, any questions about the business of writing, on matters including agents, rights, copyrights, payment, publishers, resources, or simply the next best step in your writing career. You and I will meet in my office, talk by phone, or exchange e-mails, as you choose.
My rate for these is $2.00 a minute by phone or email, with a $25 minimum. For meetings in my office, the fee is $75 per half hour or $125 per hour.
If we set up an appointment to talk at a particular time, whether by phone or in person, I charge a half hour minimum. If you have just a question or two, it's more economical to call and catch me in; I'll answer as well and quickly as I can.
On a copy of your manuscript, I mark every word or line that could be strengthened, noting as well words, lines, scenes that are particularly effective. If I feel some cutting or changes in sequence would strengthen a manuscript, I will be as specific as I can about where I think that should be done. This is an edit concerned with the substance of the story, not with the fine points of punctuation or with proofreading. For a book, the most cost-effective use of this service is to get a line-edit of 25 to 50 pages and then apply any suggestions you find helpful to the rest of your book. If you're considering this for a longer manuscript, I'll be glad to have a look at a few pages and tell you at no charge whether I think the book is far enough along to warrant this.
My charge for this is based on a look at the manuscript to get an idea how much time will be involved. I charge no fee to take such a look.
If there is some other possibility you would like to consider, please get in touch first by email and let's discuss it. These custom services might include:
Turn-around time is usually about three weeks from the time I have the complete package. If I need substantially longer, we'll talk about that. If you need something done in a rush and I have time open, we can negotiate a rush charge.
Unless you say otherwise, I assume it's okay to mark on pages.
When I do line-editing, I am primarily concerned with the writing, rather than, for example, making sure that you always spell "gray" with an "e" and never spell it with an "a." I do mark spelling and punctuation problems to a reasonable level of accuracy, as good as an agent or editor generally expects. If what you want is absolutely consistent copy-editing, I'm not your best bet.
In my suggestions, I take care not to tamper with a writer's distinct voice; I feel pretty strongly about the value of a wide diversity of voices in print.
I can't guarantee that anyone I work with will get an agent or get published. I offer you my best advice: what I'd do if the work were mine.
Sending the Manuscript: Feel free to email me your manuscript and I'll make my suggestions and comments on a digital copy. Or, if you prefer to send hard copy, enclose a stamped self-addressed envelope or box for return. I don't take responsibility for manuscripts.
My mailing address is:
Peggy Payne
410 Morson Street
Raleigh, North Carolina 27601
How to Pay: To use Paypal, please click the Pay Now button at the bottom of the page. Otherwise, please enclose the check with the manuscript if you're shipping hard copy or, if you're emailing your pages, please send it by snail mail at the same time.
I tailor my services to what your particular project requires. Get in touch with me and we'll figure out if I'm the right person for you and what I can do to help you get your work finished and out into the world. Send me an email; or call: 919 368-1092 (I don't charge for that initial brief conversation).
In any event, as the colleague of mine that you are in this solitary business, I wish you well.
Peggy Payne

|
Writers I've worked with as clients have published with major book houses including Simon & Schuster, Wiley, Workman, and St. Martin's, as well as smaller presses, literary journals, magazines (Gourmet, Newsweek) and newspapers. (Results not typical.) "Peggy Payne helped me at every stage this book went through. She was unfailingly gentle, clear, and direct in her feedback. For me, she wasn't a 'book doctor,' so much as a teacher and mentor; she helped me understand how words on a page work. As well as helping me grow as a writer, Peggy helped me understand what to expect from the business end of writing: finding an agent, and ultimately, working with an editor at a major New York publisher. She never promised a 'magic bullet' that would ensure success. Instead, she helped me focus on the things that would make success more likely: courage, honesty, and devotion to the craft of writing."
Paul Austin, M.D.
|



|
looking for something? try the site map website originally created by T.D. Bennett Group, Inc. modified & maintained by Sienna M Potts: Siennese.com last updated 7 October 2009 :: 5:03 pm Caspar (Pacific) time all website content copyright © 2005-2009 Peggy Payne all rights reserved, thank you |